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Thursday, July 30, 2020 | History

1 edition of Performing Mexicanidad found in the catalog.

Performing Mexicanidad

Laura G. Gutierrez

Performing Mexicanidad

vendidas y cabareteras on the transnational stage

by Laura G. Gutierrez

  • 66 Want to read
  • 21 Currently reading

Published by University of Texas Press in Austin .
Written in English


Edition Notes

StatementLaura G. Gutiérrez
SeriesChicana matters series, Chicana matters series
Classifications
LC ClassificationsPN1590.S3 G88 2010
The Physical Object
Paginationxiii, 250 p., [8] p. of plates :
Number of Pages250
ID Numbers
Open LibraryOL24419990M
ISBN 100292722087, 0292722885
ISBN 109780292722088, 9780292722880
LC Control Number2009051466
OCLC/WorldCa471787925

In lucha libre, an exótico is a luchador (male wrestler) fighting/performing in exótico’s movement vocabulary is campy, often silly, and seldom dignified.: Exóticos are male wrestlers who appropriate feminine aspects in their wrestling personas or "gimmicks" – through feminine costumes, for example, ‘contesting the dramatic representation of machismo’ and successfully. “The editors have assembled leading scholars and historic essays to unpack the generative force of the Chicana/o art movement. The essays are organized by themes and historic benchmarks; they consider everything from cultural reclamation to political action and even invite readers to imagine what a ‘post-movimiento’ future might look like.A must-have for anyone wishing to learn the.

Performing Mexicanidad: Vendidas y Cabareteras on the transnational stage. Austin: University of Texas Press. Austin: University of Texas Press. Guzzetti, B.,& Bean, T. () Adolescent literacies and the gendered self:(Re)constructing identities through multimodal literacy practices. Performing Mexicanidad: Vendidas y Cabareteras on the Transnational Stage By Laura G. Gutiérrez University of Texas Press, Read preview Overview Journey into Social Activism: Qualitative Approaches By Joshua D. Atkinson Fordham University Press,

Using close readings of texts, images, and public performances, this book examines the literary output of four influential American Indian intellectuals who challenged long-held conceptions of Indian identity at the turn of the twentieth century. Kiara M. Vigil traces how the narrative discourses created by these figures spurred wider Missing: Mexicanidad.   University of Texas Press, - Performing Arts - pages 1 Review After the modern Mexican state came into being following the Revolution of , hyper-masculine machismo came to be a defining characteristic of "mexicanidad," or Mexican national s: 1.


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Performing Mexicanidad by Laura G. Gutierrez Download PDF EPUB FB2

This is the first book-length study to wed performance studies and queer theory in Performing Mexicanidad book the performative/performance work of important contemporary Mexicana and Cited by: Using interdisciplinary performance studies and cultural studies frameworks, Laura G.

Gutierrez examines the cultural representation of queer sexuality in the contemporary cultural production of Mexican female and Chicana performance and visual artists/5(6).

Performing Mexicanidad: Vendidas y Cabareteras on the Transnational Stage (Chicana Matters) by Laura G. Guti?rrez () Paperback – January 1, by -University of Texas Press- (Author)5/5(2). Performing Mexicanidad Vendidas y Cabareteras on the Transnational Stage By Laura G.

Gutiérrez An examination of the intersection of public discourses on sexualities with recent political, economic, and social shifts in the national context of Mexico and the Mexican diaspora in the United States.

Read "Performing Mexicanidad Vendidas y Cabareteras on the Transnational Stage" by Laura G. Gutiérrez available from Rakuten Kobo. Using interdisciplinary performance studies and cultural studies frameworks, Laura G. Gutiérrez examines the cultural re Brand: University of Texas Press.

Book Description: Using interdisciplinary performance studies and cultural studies frameworks, Laura G.

Gutiérrez examines the cultural representation of queer sexuality in the contemporary cultural production of Mexican female and Chicana performance and visual artists. North Charles Street Baltimore, Maryland, USA +1 () [email protected] © Project MUSE. Produced by Johns Hopkins University Cited by: Book xiii, pages, 8 unnumbered pages of plates: illustrations (some color) ; 24 cm.

Subjects: Sex in the performing arts -- Mexico. Lesbians in the performing arts -- Mexico. Music-halls (Variety-theaters, cabarets, etc.) -- Social aspects -- Mexico.

Women entertainers -- Mexico. Women performance artists -. Synopsis Using interdisciplinary performance studies and cultural studies frameworks, Laura G. Gutiérrez examines the cultural representation of queer sexuality in the contemporary cultural production of Mexican female and Chicana performance and visual artists.

VARGAS CERVANTES PERFORMING MEXICANIDAD effect that it names’ (a: 2), in this case the discourse on mexicanidad and broader, international accounts of criminality; and (ii) the practice by which genders are con-stituted as ‘materially intelligible’, disavowing.

Using interdisciplinary performance studies and cultural studies frameworks, this title examines the cultural representation of queer sexuality in the contemporary cultural production of Mexican female and Chicana performance and visual artists.

Chicano Literary and Cultural Studies for book Performing Mexicanidad: Vendidas y Cabareteras on the Transnational Stage. César E. Chávez Postdoctoral Fellowship, College of Humanities, University of Arizona (postponed and in residence during the spring of ).

Performing mexicanidad: Criminality and lucha libre. Susana Vargas Cervantes. Crime, Media, of criminality and the spectacle of lucha libre intersect within Mexican culture to police and perform the parameters of mexicanidad, Book Review: Christiana Gregoriou, Language, Ideology and Identity in Serial Killer Narratives.

For help thinking through Mexicanidad, see Laura Gutiérrez, Performing Mexicanidad: Vendidas y Cabaretas on the Transnational Stage (Austin: University of Texas Press, ). The Arabic word mahjar is the noun of place derived from the verb hajara “to emigrate.”. Performing Mexicanidad: Vendidas y Cabareteras on the Transnational Stage - Laura G.

Gutiérrez “Bringing together a number of essays that are often quoted within Chicano studies with those that are not readily available, this volume gives readers a full sense of Chicano visual studies as a. It is the book many of us have been waiting for.” Laura G.

Gutiérrez, University of Texas at Austin, author of Performing Mexicanidad: Vendidas y Cabareteras on the Transnational Stage “Ambitious and engaging arguing, rather boldly, for a comprehension of NAFTA as an aesthetic project as much as an economic one.”.

Associate professor Laura G. Gutiérrez has received a national award for her book "Performing Mexicanidad: Vendidas y Cabareteras on the Transnational.

Theoretically sophisticated and genuinely comparative, Laura G. Gutiérrez’s Performing  Mexicanidad explores the works of Mexican and Chicana performance artists in an examination of neoliberalism in the s in the United States and in Mexico.

Performing Mexicanidad: vendidas y cabareteras on the transnational stage / by: Gutierrez, Laura G., Published: () Performing Mexicanidad vendidas y cabareteras on the transnational stage / by: Gutierrez, Laura G., Published: ().

Gutiérrez is the author of Performing Mexicanidad: Vendidas y Cabareteras on the Transnational Stage (U Texas P, ), which won The Ninth Annual MLA Prize in United States Latina and Latino and Chicana and Chicano Literary and Cultural Studies.

She is the author of Performing Mexicanidad: Vendidas y Cabareteras on the Transnational Stage () and essays and chapters on Latinx performance, border art, Mexican video art, and Mexican political cabaret.

She is completing a monograph on racial and sexual panics in mid-twentieth century Mexico through a reading of cine de rumbera films as. University of Texas Press, Jun 1, - Performing Arts - pages 0 Reviews After the modern Mexican state came into being following the Revolution ofhyper-masculine machismo came to be a defining characteristic of "mexicanidad," or Mexican national identity.

Vargas’s next book, 11 and 16 elderly women, depending on the source. I first wrote about Barraza in my MA thesis, and I also wrote about Performing Mexicanidad.